Essex Girl - Image

Image

The stereotypical image was formed as a variation of the dumb blonde/bimbo persona, with references to the Estuary English accent, white stiletto heels, silicone augmented breasts, peroxide blonde hair, over-indulgent use of fake tan (lending an orange appearance), promiscuity, loud verbal vulgarity and to socialising at downmarket nightclubs.

Time magazine has written:

In the typology of the British, there is a special place reserved for Essex Girl, a lady from London's eastern suburbs who dresses in white strappy sandals and suntan oil, streaks her hair blond, has a command of Spanish that runs only to the word Ibiza, and perfects an air of tarty prettiness. Victoria Beckham – Posh Spice, as she was – is the acknowledged queen of that realm ...

The term initially became synonymous with the lead characters of Sharon and Tracey in the BBC sitcom Birds of a Feather. These brash, uninhibited women had escaped working-class backgrounds in London and moved to a large house in Chigwell. The image has since been epitomised in celebrity culture with the likes of Denise van Outen, Jade Goody, Jodie Marsh, Chantelle Houghton and Amy Childs all rising to some degree of fame with the help of their Essex Girl image.

Read more about this topic:  Essex Girl

Famous quotes containing the word image:

    Our image has undergone change from David fighting Goliath to being Goliath.
    Yitzhak Shamir (b. 1915)

    ... But all the feelings that evoke in us the joy or the misfortune of a real person are only produced in us through the intermediary of an image of that joy or that misfortune; the ingeniousness of the first novelist was in understanding that, in the apparatus of our emotions, since the image is the only essential element, the simplification which consists of purely and simply suppressing the factual characters is a definitive improvement.
    Marcel Proust (1871–1922)

    The first moments of sleep are an image of death; a hazy torpor grips our thoughts and it becomes impossible for us to determine the exact instant when the “I,” under another form, continues the task of existence.
    Gérard De Nerval (1808–1855)