Works
Garner's first recordings were made in late 1944 at the apartment of Timme Rosenkrantz; these were subsequently issued as the five-volume Overture to Dawn series on Blue Note Records. His recording career advanced in the late 1940s when several sides such as "Fine and Dandy" and "Sweet 'n' Lovely" were cut. However, his 1955 live album Concert by the Sea was a best-selling jazz album in its day and features Eddie Calhoun on bass and Denzil Best on drums. This recording of a performance at the Sunset Center, a former church in Carmel-by-the-Sea, California, that was to be shared with Korean War veterans at a nearby army base, was made using relatively primitive sound equipment, but for George Avakian the decision to release the recording was easy. Other works include 1951's Long Ago and Far Away and 1974's Magician, both of which see Garner perform a number of classic standards. Often the trio was expanded to add Latin percussion, usually a conga.
In 1964, Garner appeared in the UK on the music series Jazz 625 broadcast on the BBC's new second channel. The programme was hosted by Steve Race, who introduced Garner's trio with Eddie Calhoun on bass and Kelly Martin on drums.
Since Garner could not write down his musical ideas, he used to record them on tape, to be later transcribed by others.
Read more about this topic: Erroll Garner
Famous quotes containing the word works:
“They commonly celebrate those beaches only which have a hotel on them, not those which have a humane house alone. But I wished to see that seashore where man’s works are wrecks; to put up at the true Atlantic House, where the ocean is land-lord as well as sea-lord, and comes ashore without a wharf for the landing; where the crumbling land is the only invalid, or at best is but dry land, and that is all you can say of it.”
—Henry David Thoreau (1817–1862)
“Most works of art, like most wines, ought to be consumed in the district of their fabrication.”
—Rebecca West (1892–1983)
“I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
—George Bernard Shaw (1856–1950)