Errol Flynn - Theatre Performances

Theatre Performances

Flynn appeared on stage in a number of performances, particularly early in his career:

  • The Thirteenth Chair - Dec 1933 - Northampton Rep
  • Jack and the Beanstalk - Dec 1933 - Northampton Rep
  • Sweet Lavendar - Jan 1934 - Northampton Rep
  • Bulldog Drummond - January 1934 - Northampton Rep
  • A Doll's House - Jan 1934 - Northampton Rep
  • On the Spot - Jan 1934 - Northampton Rep
  • Pygmalion - January to Feb 1934 - Northampton Rep
  • Crime at Blossoms - Feb 1934 - Northampton Rep
  • Yellow Sands - Feb 1934 - Northampton Rep
  • The Grain of Mustard Seed - Feb 1934 - Northampton Rep
  • Seven Keys to Baldpate - March 1934 - Northampton Rep
  • Othello - March 1934 - Northampton Rep
  • The Green Bay Tree - March 1934 - Northampton Rep
  • The Fake - March 1934 - Northampton Rep
  • The Farmer's Wife - March-April 1934 - Northampton Rep
  • The Wind and the Rain - April 1934 - Northampton Rep
  • Sheppey - April 1934 - Northampton Rep
  • The Soul of Nicholas Snyders - April 1934 - Northampton Rep
  • The Devil's Disciple - May 1934 - Northampton Rep
  • Conflict - May 1934 - Northampton Rep
  • Paddy the Next Best Thing - May 1934 - Northampton Rep
  • 9:45 - May-June 1934 - Northampton Rep
  • Malvern festival - July-August 1934, appeared in A Man's House, History of Dr Faustus, Marvelous History of Saint Bernard, The Moon in Yellow River, Mutiny
  • A Man's House - August-Sept1934 - Glasgow, St Martin's Lane
  • Master of Thornfield - February 1958 - adaptation of Jane Eyre

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Famous quotes containing the words theatre and/or performances:

    “... in the happy laughter of a theatre audience one can get the most immediate and numerically impressive guarantee that there is nothing in one’s mind which is not familiar to the mass of persons living at the time.”
    —Rebecca West (1892–1983)

    “At one of the later performances you asked why they called it a “miracle,”
    Since nothing ever happened. That, of course, was the miracle
    But you wanted to know why so much action took on so much life
    And still managed to remain itself, aloof, smiling and courteous.”
    —John Ashbery (b. 1927)