Erotic Sexual Denial - Erotic Denial As A Form of Control

Erotic Denial As A Form of Control

Erotic sexual denial, in various forms, is sometimes associated with creating a state of sexual need leading to a more pliable or agreeable outlook by the denied party.

Orgasm denial practices can allow topping partners to exercise control and training over highly intimate and psychologically significant aspects of their bottoming partners' lives. This can extend to tolerance of increased stimulation, and training both to hold back orgasm, or to orgasm on command. Topping partners can use this practice to experience enjoyable and sometimes intensely craved feelings of sexual control and erotic power. Bottoming partners can use this practice to help them experience enjoyable and sometimes intensely craved feelings of erotic submission, sexualised objectification, and erotic loss of control.

Orgasm denial as a means of orgasm control is a widely practiced activity within erotic feminization. The top will often deny the bottom (the male bottom) sexual release to maintain his heightened state of sexual arousal, as a means to satisfy his desires for emasculation or erotic humiliation, or as a means to satisfy the top's own desires to emasculate and erotically humiliate.

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Famous quotes containing the words erotic, denial, form and/or control:

    No hand has been allowed to touch
    The rose I hide,
    Though eyes have looked upon it and desired it.
    —Unknown. The Thousand and One Nights.

    ErPo. Erotic Poetry; the Lyrics, Ballads, Idyls, and Epics of Love—Classical to Contemporary. William Cole, ed. (1963)

    Advocating the mere tolerance of difference between women is the grossest reformism. It is a total denial of the creative function of difference in our lives. Difference must be not merely tolerated, but seen as a fund of necessary polarities between which our creativity can spark like a dialectic.
    Audre Lorde (1934–1992)

    Now only a dent in the earth marks the site of these dwellings, with buried cellar stones, and strawberries, raspberries, thimble-berries, hazel-bushes, and sumachs growing in the sunny sward there.... These cellar dents, like deserted fox burrows, old holes, are all that is left where once were the stir and bustle of human life, and “fate, free will, foreknowledge absolute,” in some form and dialect or other were by turns discussed.
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    All industries are brought under the control of such people [film producers] by Capitalism. If the capitalists let themselves be seduced from their pursuit of profits to the enchantments of art, they would be bankrupt before they knew where they were. You cannot combine the pursuit of money with the pursuit of art.
    George Bernard Shaw (1856–1950)