Ernst Kitzinger - Publications

Publications

A partial list

Romische Malerei vom Beginn des 7. bis zur Mitte des 8. Jahrhunderts. Munich, 1936 (dissertation).

“Anglo-Saxon Vinescroll Ornament.” Antiquity 10 (1936): 67–71.

“Notes on Early Coptic Sculpture.” Archaeologia 87 (1938): 181–215.

“The Sutton Hoo Finds: The Silver,” British Museum Quarterly 13 (1939): 118–126.

"The Sutton Hoo Ship Burial: The Silver.” Antiquity 14 (1940): 40–63.

Early Medieval Art in the British Museum. London: British Museum, 1940; second edition 1955; Bloomington Indiana: Midland Books, Indiana University Press, 1964; third edition 1983; German edition: Kleine Geschichte der frühmiltelalterlichen Kunst, Cologne, 1987.

Portraits of Christ. Harmondsworth. The King Penguin Books, with Elizabeth Senior, 1940.

“The Horse and Lion Tapestry at Dumbarton Oaks: A Study in Coptic and Sassanian Textile Design.” Dumbarton Oaks Papers 3 (1946): 1–72.

“A Survey of the Early Christian Town of Stobi,” Dumbarton Oaks Papers 3 (1946): 81–161.

“The Mosaics of the Cappella Palatina in Palermo: An Essay on the Choice and Arrangement of Subjects.” Art Bulletin 31 (1949): 269–292.

The Coffin of Saint Cuthbert. Oxford University Press, 1950.

“Mosaic Pavements in the Greek East and the Question of a ‘Renaissance’ under Justinian.” Actes du VIe Congress International d’Études Byzantines, Paris, 27 juillet–2 août 1948, (Paris, 1951): 209–223.

“Studies on Late Antique and Early Byzantine Floor Mosaics: I. Mosaics at Nikopolis.” Dumbarton Oaks Papers 6 (1951): 81–122.

“The Cult of Images in the Age before Iconoclasm.” Dumbarton Oaks Papers 8 (1954): 83–150. Italian translation: Il culto delle immagini, Florence, 1992.

“On Some Icons of the Seventh Century.” In Late Classical and Mediaeval Studies in Honor of Albert Mathias Friend, Jr., ed. K. Weitzmann et al., Princeton: Princeton University Press, 1955, 132–150.

“The Coffin-Reliquary.” In The Relics of Saint Cuthbert, ed. C. F. Battiscombe, Oxford: Oxford University Press, 1956, 202–304.

“Byzantine Art in the Period between Justinian and Iconoclasm.” Berichte zum XI Internationalen Byzantinisten-Kongress, München, 1958 (Munich, 1958), IV/1, 1–50; Japanese translation by S. Tsuji, Tokyo, 1971; Italian translation, Florence, 1992 (with Il culto delle immagini).

“A Marble Relief of the Theodosian Period.” Dumbarton Oaks Papers 14 (1960): 17–42.

The Mosaics of Monreale. Palermo: S. F. Flaccovio Editore, 1960; also in Italian: I Mosaici di Monreale, tr. F. Bonajuto; republished, with a new preface, in 1991 (in Italian only).

“The Dumbarton Oaks Center for Byzantine Studies.” Jahrbücher für Geschichte Osteuropas, N.F., 10, Heft 3 (1962): 485–491; reprinted with minor changes in Harvard Library Bulletin 19 (1971): 28–32.

“Some Reflections on Portraiture in Byzantine Art.” Zbornik radova, 8/1 = Recueil des travaux de l’Institut d’Études byzantines, No. VIII = Mélanges G. Ostrogorsky, I (Belgrade, 1963): 185–193.

“The Hellenistic Heritage in Byzantine Art.” Dumbarton Oaks Papers 17 (1963): 95–115. Reprinted in abridged form in Readings in Art History (H. Spencer, ed.), New York: Charles Scribner’s Sons, 1969, I, 167–188. Israeli Mosaics of the Byzantine Period. UNESCO. New York: The New American Library, Inc., 1965. Also published in Dutch, French, German, Italian, and Spanish. “Stylistic Developments in Pavement Mosaics in the Greek East from the Age of Constantine to the Age of Justinian.” La Mosaïque Greco-Romaine, Colloques Internationaux du Centre National de La Recherche Scientifique, Paris, 29 août–3 septembre, 1963. Paris, 1965, 341–352.

“Norman Sicily as a Source of Byzantine Influence on Western Art in the Twelfth Century.” Byzantine Art—An European Art, lectures given on the occasion of the 9th Exhibition of the Council of Europe, Athens, 1966, 123–147.

“The Byzantine Contribution to Western Art of the Twelfth and Thirteenth Centuries,” Dumbarton Oaks Papers 20 (1966): 25–47, 265–266.

“On the Interpretation of Stylistic Changes in Late Antique Art.” Bucknell Review 15/3 (December 1967): 1–10.

“The Gregorian Reform and the Visual Arts: A Problem of Method.” Transactions of the Royal Historical Society, 5th series, 22 (1972): 87–102.

“The First Mosaic Decoration of Salerno Cathedral.” Jahrbuch der Ostereichischen Byzantinistik 21 (1972)=Festschrift für Otto Demus zum 70. Geburtstag, 149–162.

“World Map and Fortune’s Wheel. A Medieval Mosaic Floor in Turin.” Proceedings of the American Philosophical Society 117/5 (1973): 343–373.

“Observations on the Samson Floor at Mopsuestia.” Dumbarton Oaks Papers 27 (1973). 133-144.

“A Pair of Silver Book Covers in the Sion Treasure.” In Gatherings in Honor of Dorothy E. Minor, eds. U. McCracken, L. and R. Randall. Baltimore: Walters Art Gallery, 1974, 3–17.

“A Fourth Century Mosaic Floor in Pisidian Antioch.” Mansel’e Armagan.’ Mélanges Mansel, Türk Tarih Kurumu Yayinlari Dizi VII-Sa 60, Ankara, 1974, Vol. I, 385–395.

“Christus und die/wölf Apostel.” Das Einhardkreuz, Vorträge und Studien der Münsteraner Diskussion zum arcus Einhardi, ed. Karl Hauck, Abhandlungen der Akademieder Wissenschaften in Göttingen, Philologische-Historische Klasse, 3, Folge, Nr. 87, Göttingen, 1974, 82–92.

“The Role of Miniature Painting in Mural Decoration.” In The Place of Book Illumination in Byzantine Art, ed. K. Weitzmann. Princeton: Princeton University Art Museum, 1975, 99–142.

The Art of Byzantium and the Medieval West: Selected Studies, ed. W. E. Kleinbauer, Bloomington, Indiana: Indiana University Press, 1976.

Byzantine Art in the Making: Main Lines of Stylistic Development in Mediterranean Art—3rd–7th Century. London: Faber & Faber; Cambridge, Mass.: Harvard University Press, 1977; German edition: Byzantische Kunst im Werden, Cologne, 1984; Italian edition: L’arte bizantina, Milan, 1989.

“The Cleveland Marbles.” Atti dell IX Congresso internazionale di archeologia cristiana; Roma 21–27 Settembre 1975. Rome, 1978, Vol. I, 653–675; reprinted in Studies in Early Christianity, 18 (P. C. Finney, ed.), New York and London 1993.

“A Virgin’s Face: Antiquarianism in Twelfth-Century Art.” Art Bulletin 62 (1980) 6–19.

“Christian Imagery: Growth and Impact.” Age of Spirituality—A Symposium, ed. K. Weitzmann, The Metropolitan Museum of Art and Princeton University Press, 1980, 141–163.

“The Hellenistic Heritage in Byzantine Art Reconsidered.” Jahrbuch der Oesterreichischen Byzantiniatik 31 (1981): 657–675.

“The Arts as Aspects of a Renaissance: Rome and Italy.” In Renaissance and Renewal in the Twelfth Century, ed. R. L. Benson and G. Constable, Cambridge, Mass., 1982, 637–670.

“The Descent of the Dove: Observations on the Mosaic of the Annunciation in the Cappella Palatina in Palermo.” Byzanz und der Westen, Vienna, 1984, 99–115.

“The Portraits of the Evangelists in the Cappella Palatina in Palermo,” Studien zur mittelalterlichen Kunst 800–1250: Festschrift für Florentine Mütherich, Munich, 1985, 181–192.

“Enas naos tou l2ou aiona aphieromenos ste theotoko: He Panagia tou nauarchou sto Palermo,” Deltion tes Christianikes Archaiologikes Hetaireias, ser. 4, 12, 1984 (published 1986), 167–194; republished in Italian in BCA Sicilia 6–8 (1985–1987): 11-31.

“Two Mosaic Ateliers in Palermo in the 1140s.” Artistes, Artisans et Production Artistique au Moyen Age, ed. X Barral i Altet, I, Paris, 1986, 277–294.

“Reflections on the Feast Cycle in Byzantine Art.” Cahiers Archéologiques 36 (1988): 51–73.

“Mosaic Decoration in Sicily under Roger I and the Classical Byzantine System of Church Decoration.” In Italian Church Decoration of the Middle Ages and the Early Renaissance, ed. W. Tronzo, Bologna, 1989, 147–165.

“Closing Remarks,” Artistes, Artisans et Production Artistique au Moyen Age, ed. X Barral i Altet, I, Paris, 1990, 647–650.

The Mosaics of St. Mary’s of the Admiral in Palermo, (Dumbarton Oaks Studies 27), Washington D.C., 1990; I mosaici di Santa Maria dell Ammiraglio a Palermo (Instituto Siciliano di Studi Bizantini e Neoellenici, Monumenti 3). Palermo 1990.

“Artistic Patronage in Early Byzantium.” Settimane di studio del Centro italiano di studi sull’alto medioevo 39 (1992): 33–55.

I mosaici del periodo normanno in Sicilia, Fasc. I: La Cappella Palatina di Palermo: I mosaici del presbiterio. Palermo 1992.

“Bizantina Arte.” Enciclopedia dell’arte medievale, III, Rome 1992, 517–534.

“Interlace and Icons: Form and Function in Early Insular Art,” The Age of Migrating Ideas—Proceedings of the Second International Conference on Insular Art, ed. R. Michael Spearman and John Higgitt, Edinburgh 1993, 3–15.

I mosaici del periodo normanno in Sicilia, Fasc. II: La Cappella Palatina di Palermo: I mosaici delle navate. Palermo 1993.

I mosaici del periodo normanno in Sicilia, Fasc. III: Il Duomo di Monreale: I mosaici dell’abside, della solea e delle cappelle laterali. Palermo 1994.

“Kurt Weitzmann (7 March 1904–7 June 1993)”, Proceedings of the American Philosophical Society vol. 139, no. 2, June 1995, pp. 203–209.

I mosaici del periodo normanno in Sicilia, Fasc. IV: Il Duomo di Monreale: I mosaici del transetto, Palermo 1995.

“The Mandylion at Monreale.” Milion 3 (1995): 575–602.

Studies in Late Antique, Byzantine and Medieval Western Art. 2 Vols. Vol 1: Studies in Late Antique & Byzantine Art; Vol II: Studies in Medieval Western Art and the Art of Norman Sicily. London: Pindar Press (2002 and 2004).