Ernst Horn - Biography

Biography

Ernst Horn studied conducting, piano, and percussion in Munich, Freiburg and Hamburg. Afterwards, he worked as a conductor at the state theatres of Karlsruhe and Oldenburg, as well as a composer and as a pianist for dramas at the Bavarian State Theatre in Munich. He gave up his career as a conductor in 1985 to become a composer and specialist for electronic music. In the same year, he founded the band Deine Lakaien together with Alexander Veljanov, which is most famous project since then. The popularity of this band has far exceeded the borders of the German speaking countries. In addition to his main occupation as musician and composer of electronic music, Ernst Horn composes and plays music for dramas and radio plays.

Horn created his own style with structured electronic compositions far away from the mainstream. His first solo-work Einzelhaft won the Reader Tape Contest of the Keyboard Magazine in 1988. Usually, Horn combines electronic elements with other styles of composition and/or samples. The radio play "Greed Freedom", where the medieval style of a hymn gets connected to spoken word samples, is a good example. It also shows Horn's interest in picking up political and social issues. Another feature that is used here are the voices of children. This element of style is use frequently by Horn as, e.g., on the Helium Vola album "Liod", or in the piece "Acht", which shows the good sense of humor of this artist as well.

In commissioned compositions for the Neue Philharmonie Frankfurt ("Spiegelarien", 2009) and within the framework of the Leipzig Bach Festival ("B.A.C.H. – Alternative Compositions on Historical Basics", 2012), Ernst Horn combined works of old masters like G. F. Handel and J. S. Bach with his own compositions, which are influenced by 20th-century classical music.

Ernst Horn lives and works in Munich. Fellow Municher Rudy Ratzinger (Wumpscut) dedicated a song to him.

Read more about this topic:  Ernst Horn

Famous quotes containing the word biography:

    As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.
    Henry David Thoreau (1817–1862)

    There never was a good biography of a good novelist. There couldn’t be. He is too many people, if he’s any good.
    F. Scott Fitzgerald (1896–1940)

    The best part of a writer’s biography is not the record of his adventures but the story of his style.
    Vladimir Nabokov (1899–1977)