Critical Reception
The New Yorker wrote that Epitaph represents the first advance in jazz composition since Duke Ellington's Black, Brown, and Beige, which was written in 1943. The New York Times said it ranked with the "most memorable jazz events of the decade". Convinced that it would never be performed in his lifetime, Mingus called his work Epitaph declaring that he wrote it "for my tombstone." Conductor Gunther Schuller said that Epitaph is "among the most important, prophetic, creative statement in the history of jazz.”
Read more about this topic: Epitaph (Charles Mingus album)
Famous quotes containing the words critical and/or reception:
“Good critical writing is measured by the perception and evaluation of the subject; bad critical writing by the necessity of maintaining the professional standing of the critic.”
—Raymond Chandler (1888–1959)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)