An epic film is a genre that emphasizes human drama on a grand scale. Epics are more ambitious in scope than other film genres, and their ambitious nature helps to differentiate them from similar genres such as the period piece or adventure film. Epic historical films often take a historical or imagined event, or a mythic, legendary, or heroic figure and add an extravagant, spectacular setting and lavish costumes, accompanied by a sweeping musical score, and an ensemble cast of bankable stars, making them among the most expensive of films to produce. Some of the most common subjects of epics are royalty, gladiators, great military leaders, or leading personalities or figures from various periods in world history.
Epic films are expensive and lavish productions because they generally use on-location filming, authentic period costumes, action scenes on a massive scale and large casts of characters. Biographical films are often less lavish versions of this genre.
Sometimes referred to as costume dramas, they depict the world of a period setting, often incorporating historical pageantry, specially designed costuming and wardrobes, exotic locales, spectacle, lavish decor and a sweeping visual style. They often transport viewers to other worlds or eras, such as classical antiquity, biblical settings, the Middle Ages, the Victorian era, the American Frontier, or the Gilded Age. Films involving modern battle sequences (war films) are also common settings in the epic film genre, as are westerns, and science fiction films set in space, on earth or other planets, with science fiction-oriented battle scenes on a massive scale or with a futuristic backdrop.
Read more about Epic Film: Characteristics, History
Famous quotes containing the words epic and/or film:
“In an age robbed of religious symbols, going to the shops replaces going to the church.... We have a free choice, but at a price. We can win experience, but never achieve innocence. Marx knew that the epic activities of the modern world involve not lance and sword but dry goods.”
—Stephen Bayley (b. 1951)
“All the old supports going, gone, this man reaches out a hand to steady himself on a ledge of rough brick that is warm in the sun: his hand feeds him messages of solidity, but his mind messages of destruction, for this breathing substance, made of earth, will be a dance of atoms, he knows it, his intelligence tells him so: there will soon be war, he is in the middle of war, where he stands will be a waste, mounds of rubble, and this solid earthy substance will be a film of dust on ruins.”
—Doris Lessing (b. 1919)