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Performed by Martha Goldstein
English Suite No. 1 in A major – Allemande
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Performed by Martha Goldstein
English Suite No. 1 in A major – Courante I
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Performed by Martha Goldstein
English Suite No. 1 in A major – Courante II
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Performed by Martha Goldstein
English Suite No. 1 in A major – Double I
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Performed by Martha Goldstein
English Suite No. 1 in A major – Double II
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Performed by Martha Goldstein
English Suite No. 1 in A major – Sarabande
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Performed by Martha Goldstein
English Suite No. 1 in A major – Bouree I and II
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Performed by Martha Goldstein
English Suite No. 1 in A major – Gigue
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Performed by Martha Goldstein
English Suite No. 3 in G minor – Prelude
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Performed by Martha Goldstein
English Suite No. 3 in G minor – Allemande
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Performed by Martha Goldstein
English Suite No. 3 in G minor – Courante
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Performed by Martha Goldstein
English Suite No. 3 in G minor – Sarabande
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Performed by Martha Goldstein
English Suite No. 3 in G minor – Gavotte I and II
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Performed by Martha Goldstein
English Suite No. 3 in G minor – Gigue
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“The media have just buried the last yuppie, a pathetic creature who had not heard the news that the great pendulum of public conciousness has just swung from Greed to Compassion and from Tex-Mex to meatballs.” —Barbara Ehrenreich (b. 1941)
“Never before has a generation of parents faced such awesome competition with the mass media for their childrens attention. While parents tout the virtues of premarital virginity, drug-free living, nonviolent resolution of social conflict, or character over physical appearance, their values are daily challenged by television soaps, rock music lyrics, tabloid headlines, and movie scenes extolling the importance of physical appearance and conformity.” —Marianne E. Neifert (20th century)
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.” —Joshua Meyrowitz, U.S. educator, media critic. The Blurring of Public and Private Behaviors, No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)