En Pointe - Pointe Technique

Pointe Technique

A dancer may rise on the toes by passing through demi-pointe, or by springing on to her toes with a small hop. The second method is more common in the Russian method and was first introduced by Enrico Cecchetti.

Modern ballet technique demands the use of both- usually rolling through for adages and springing on pointe in allegros.

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    The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.
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