Style
Gravett completed Wolves in six weeks as an Illustration course project, and added only the back endpaper spread during the editorial process. Some projects take longer but she wrote and sketched Orange Pear Apple Bear in merely 11 hours, waking one Mother's Day with the four words in her head and staying in bed for "the whole book in one go".
Gravett's books are interactive. She encouraged the pet dog to chew the dummy for Wolves, in order "to simulate the impact of the wolf's teeth". That didn't work so she chewed it herself.
She wanted Little Mouse's Big Book of Fears to look genuinely chewed, so she painted yoghurt on plain white paper and laid it in the cage of the two pet rats. They nibbled it and peed on it, which she scanned to produce background for drawing. The front cover illustration shows the title Little Mouse's Emily Gravett's Big Book of Fears, a mouse looking through a hole it has chewed, and damage along the book edges.
Little Mouse is also a movable book, with "lift flaps and a fold-out map" (quoting a review).
Read more about this topic: Emily Gravett
Famous quotes containing the word style:
“The habit some writers indulge in of perpetual quotation is one it behoves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style c’est l’homme, what is likely to happen if l’homme is for ever eking out his own personality with that of some other individual?”
—Dame Ethel Smyth (1858–1944)
“The old saying of Buffon’s that style is the man himself is as near the truth as we can get—but then most men mistake grammar for style, as they mistake correct spelling for words or schooling for education.”
—Samuel Butler (1835–1902)
“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
—Helen Hayes (1900–1993)