Growing Recognition
Over time Carr's work came to the attention of several influential and supportive people, including Marius Barbeau, a prominent ethnologist at the National Museum in Ottawa. Barbeau in turn persuaded Eric Brown, Director of Canada's National Gallery to visit Carr in 1927, and Brown invited Carr to exhibit her work as part of an exhibition on West Coast aboriginal art at the National Gallery. Carr sent 26 oil paintings east, along with samples of her pottery and rugs with indigenous designs. The exhibit, which also included works by Edwin Holgate and A.Y. Jackson, traveled to Toronto and Montreal.
Carr continued to travel throughout the late 1920s and 1930s away from Victoria. Her last trip north was in the summer of 1928, when she visited the Nass and Skeena Rivers, as well the Queen Charlottes. She also travelled to Friendly Cove and the northeast coast of Vancouver Island, and then up to Lillooet in 1933. Recognition of her work grew steadily, and her work was exhibited in London, Paris, Washington and Amsterdam, as well as major Canadian cities.
Read more about this topic: Emily Carr
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