History
The history of constructing a system of accounts which records the energy flows through an environment can be traced back to the origins of accounting itself. As a distinct method, it is often associated with the Physiocrat's "substance" theory of value, and later the agricultural energetics of Sergei Podolinsky, a Ukrainian physician, and the ecological energetics of Vladmir Stanchinsky
The main methods of embodied energy accounting as they are used today grew out of Wassily Leontief's input-output model and are called Input-Output Embodied Energy analysis. Leontief's input-output model was in turn an adaptation of the neo-classical theory of general equilibrium with application to "the empirical study of the quantitative interdependence between interrelated economic activities". According to Tennenbaum Leontief's Input-Output method was adapted to embodied energy analysis by Hannon to describe ecosystem energy flows. Hannon’s adaptation tabulated the total direct and indirect energy requirements (the energy intensity) for each output made by the system. The total amount of energies, direct and indirect, for the entire amount of production was called the embodied energy.
Read more about this topic: Embodied Energy
Famous quotes containing the word history:
“I think that Richard Nixon will go down in history as a true folk hero, who struck a vital blow to the whole diseased concept of the revered image and gave the American virtue of irreverence and skepticism back to the people.”
—William Burroughs (b. 1914)
“The principle office of history I take to be this: to prevent virtuous actions from being forgotten, and that evil words and deeds should fear an infamous reputation with posterity.”
—Tacitus (c. 55–117)
“The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.”
—Edgar Allan Poe (1809–1849)