Style
Bennett chose the silkscreen medium because of his belief that original art should be accessible to everyone. Prints allowed him to produce many original silkscreens at relatively affordable prices. Despite the fact that his prints now sell for hundreds or thousands of dollars, according to his daughter during his lifetime he never sold one for more than $15. Using silkscreens allowed him to vary the work by changing the colors and recombining or reusing elements to the point where a work was never finished and continually evolving - he could always tinker with it and improve it more. For example, a catalog of his artwork might include multiple images of a scene such as "Around the Cape" using different color pallets, such as blues, gold, greens, etc. or the same middle-background sailing ship may appear in multiple scenes such as "Down to the Sea", "Return to the River", and "Forest of Spars".
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Famous quotes containing the word style:
“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
—Helen Hayes (1900–1993)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“I am so tired of taking to others
translating my life for the deaf, the blind,
the “I really want to know what your life is like without giving up any of my privileges
to live it” white women
the “I want to live my white life with Third World women’s style and keep my skin
class privileges” dykes”
—Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)