Style
Bennett chose the silkscreen medium because of his belief that original art should be accessible to everyone. Prints allowed him to produce many original silkscreens at relatively affordable prices. Despite the fact that his prints now sell for hundreds or thousands of dollars, according to his daughter during his lifetime he never sold one for more than $15. Using silkscreens allowed him to vary the work by changing the colors and recombining or reusing elements to the point where a work was never finished and continually evolving - he could always tinker with it and improve it more. For example, a catalog of his artwork might include multiple images of a scene such as "Around the Cape" using different color pallets, such as blues, gold, greens, etc. or the same middle-background sailing ship may appear in multiple scenes such as "Down to the Sea", "Return to the River", and "Forest of Spars".
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Famous quotes containing the word style:
“The authoritarian child-rearing style so often found in working-class families stems in part from the fact that parents see around them so many young people whose lives are touched by the pain and delinquency that so often accompanies a life of poverty. Therefore, these parents live in fear for their children’s future—fear that they’ll lose control, that the children will wind up on the streets or, worse yet, in jail.”
—Lillian Breslow Rubin (20th century)
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (1871–1922)
“As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.”
—Henry David Thoreau (1817–1862)