Relation To The Rhombicuboctahedron
As the name suggests, it can be constructed by elongating a square gyrobicupola (J29) and inserting an octagonal prism between its two halves. The resulting solid is locally vertex-regular — the arrangement of the four faces incident on any vertex is the same for all vertices; this is unique among the Johnson solids. However, it is not vertex-transitive, and consequently not one of the Archimedean solids, as there are pairs of vertices such that there is no isometry of the solid which maps one into the other. Essentially, the two types of vertices can be distinguished by their "neighbors of neighbors." Another way to see that the polyhedron is not vertex-regular is to note that there is exactly one belt of eight squares around its equator, which distinguishes vertices on the belt from vertices on either side.
Rhombicuboctahedron |
Exploded sections |
Pseudo-rhombicuboctahedron |
The solid can also be seen as the result of twisting one of the square cupolae (J4) on a rhombicuboctahedron (one of the Archimedean solids; a.k.a. the elongated square orthobicupola) by 45 degrees. Its similarity to the rhombicuboctahedron gives it the alternative name pseudorhombicuboctahedron. It has occasionally been referred to as "the fourteenth Archimedean solid".
Read more about this topic: Elongated Square Gyrobicupola
Famous quotes containing the words relation to the, relation to and/or relation:
“Any relation to the land, the habit of tilling it, or mining it, or even hunting on it, generates the feeling of patriotism. He who keeps shop on it, or he who merely uses it as a support to his desk and ledger, or to his manufactory, values it less.”
—Ralph Waldo Emerson (1803–1882)
“There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view, the channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.”
—Adrienne Rich (b. 1929)
“Concord is just as idiotic as ever in relation to the spirits and their knockings. Most people here believe in a spiritual world ... in spirits which the very bullfrogs in our meadows would blackball. Their evil genius is seeing how low it can degrade them. The hooting of owls, the croaking of frogs, is celestial wisdom in comparison.”
—Henry David Thoreau (1817–1862)