Work
As a poet, Willis employs the use of "hybrid genres," an attempt to "push the limits of representation." Turneresque, for instance, draws on elements as diverse as the Romantic sublime and film noir. In terms of style, Willis is most often recognized for her "intense lyricism." Her poetry tends to center on the relationship between art and nature and has been noted for its musicality and precision.
Her literary criticism is concerned with 19th century and 20th century poetry and the ways in which changing technology comes to influence the production of poetry. She also investigates the effects of public and private spaces in her prose. Additionally, Pre-Raphaelite aesthetics and the relationship between contemporary poets and antecedent poets are also frequent concerns of her work. Willis has dedicated a significant portion of her career to a study of the works of Lorine Niedecker.
Read more about this topic: Elizabeth Willis
Famous quotes containing the word work:
“One should either be a work of art, or wear a work of art.”
—Oscar Wilde (1854–1900)
“The city is a fact in nature, like a cave, a run of mackerel or an ant-heap. But it is also a conscious work of art, and it holds within its communal framework many simpler and more personal forms of art. Mind takes form in the city; and in turn, urban forms condition mind.”
—Lewis Mumford (1895–1990)
“People run away from the name subsidy. It is a subsidy. I am not afraid to call it so. It is paid for the purpose of giving a merchant marine to the whole country so that the trade of the whole country will be benefitted thereby, and the men running the ships will of course make a reasonable profit.... Unless we have a merchant marine, our navy if called upon for offensive or defensive work is going to be most defective.”
—William Howard Taft (1857–1930)