Elias Canetti - Works

Works

  • Komödie der Eitelkeit 1934 (The Comedy of Vanity)
  • Die Blendung 1935 (Auto-da-Fé, novel, tr.1946)
  • Die Befristeten 1956 (1956 premiere of the play in Oxford) (Their Days are Numbered)
  • Masse und Macht 1960 (Crowds and Power, study, tr. 1962, published in Hamburg)
  • Aufzeichnungen 1942 – 1948 (1965) (Sketches)
  • Die Stimmen von Marrakesch 1968 published by Hanser in Munich (The Voices of Marrakesh, travelogue, tr. 1978)
  • Der andere Prozess 1969 Kafkas Briefe an Felice (Kafka's Other Trial, tr. 1974).
  • Hitler nach Speer (Essay)
  • Die Provinz des Menschen Aufzeichnungen 1942 – 1972 (The Human Province, tr. 1978)
  • Der Ohrenzeuge. Fünfzig Charaktere 1974 ("Ear Witness: Fifty Characters", tr. 1979).
  • Das Gewissen der Worte 1975. Essays (The Conscience of Words)
  • Die Gerettete Zunge 1977 (The Tongue Set Free, memoir, tr. 1979 by Joachim Neugroschel)
  • Die Fackel im Ohr 1980 Lebensgeschichte 1921 – 1931 (The Torch in My Ear, memoir, tr. 1982)
  • Das Augenspiel 1985 Lebensgeschichte 1931 – 1937 (The Play of the Eyes, memoir, tr. 1990)
  • Das Geheimherz der Uhr: Aufzeichnungen 1987 (The Secret Heart of the Clock, tr. 1989)
  • Die Fliegenpein (The Agony of Flies, 1992)
  • Nachträge aus Hampstead (Notes from Hampstead, 1994)
  • The Voices of Marrakesh (published posthumously, Arion Press 2001, with photographs by Karl Bissinger and etchings by William T. Wiley )
  • Party im Blitz; Die englischen Jahre 2003 (Party in the Blitz, memoir, published posthumously, tr. 2005)
  • Aufzeichnungen für Marie-Louise (written 1942, compiled and published posthumously, 2005)

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Famous quotes containing the word works:

    “I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
    —George Bernard Shaw (1856–1950)

    “... no one who has not been an integral part of a slaveholding community, can have any idea of its abominations.... even were slavery no curse to its victims, the exercise of arbitrary power works such fearful ruin upon the hearts of slaveholders, that I should feel impelled to labor and pray for its overthrow with my last energies and latest breath.”
    —Angelina Grimké (1805–1879)

    “We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
    —Clive Bell (1881–1962)