Electric Circus (nightclub)

Electric Circus (nightclub)

Coordinates: 40°43′45″N 73°59′19″W / 40.729169°N 73.988682°W / 40.729169; -73.988682

This article is about a Manhattan nightclub. For other uses, please see Electric Circus (disambiguation)

The Electric Circus was a nightclub and discotheque located at 19-25 St. Marks Place between Second and Third Avenues in the East Village neighborhood of Manhattan, New York City, from 1967 to September 1971. The club was created by Jerry Brandt, Stanton J. Freeman and their partners and designed by Chermayeff & Geismar. With its invitation (from one of its press releases) to "play games, dress as you like, dance, sit, think, tune in and turn on," and its mix of light shows, music, circus performers and experimental theater, the Electric Circus embodied the wild and creative side of 1960s club culture.

Flame throwing jugglers and trapeze artists performed between musical sets, strobe lights flashed over a huge dance floor, and multiple projectors flashed images and footage from home movies. Seating was varied, with sofas provided. The Electric Circus became "New York's ultimate mixed-media pleasure dome, and its hallucinogenic light baths enthralled every sector of New York society." Its hedonistic atmosphere also influenced the later rise of disco culture and discotheques.

Experimental bands such as The Velvet Underground, jam bands such as The Grateful Dead and avant-garde composers such as minimalist Terry Riley and electronic music pioneer Morton Subotnick, played at the club. Other bands played there before they were famous, such as Raven and "Soft White Underbelly" before it became known as Blue Öyster Cult, the Allman Brothers Band, Sly & the Family Stone and The Chambers Brothers.

Read more about Electric Circus (nightclub):  Early History, 1960s: Warhol and The Velvet Underground, New Management and Closing

Famous quotes containing the words electric and/or circus:

    A sociosphere of contact, control, persuasion and dissuasion, of exhibitions of inhibitions in massive or homeopathic doses...: this is obscenity. All structures turned inside out and exhibited, all operations rendered visible. In America this goes all the way from the bewildering network of aerial telephone and electric wires ... to the concrete multiplication of all the bodily functions in the home, the litany of ingredients on the tiniest can of food, the exhibition of income or IQ.
    Jean Baudrillard (b. 1929)

    Winter and summer till old age began
    My circus animals were all on show,
    Those stilted boys, that burnished chariot,
    Lion and woman and the Lord knows what.
    William Butler Yeats (1865–1939)