Eleanor Roosevelt National Historic Site - History

History

FDR encouraged Eleanor Roosevelt to develop this property as a place that she could develop some of her ideas for work with winter jobs for rural workers and women. She named the spot Val-Kill, loosely translated as waterfall-stream from the Dutch language common to the original settlers of the area. There are two buildings which are adjacent to Fallkill Creek. Stone Cottage, the original cottage which was home to Marion Dickerman and Nancy Cook, which they sold back to Eleanor in 1947 and a large two-story stuccoed building that housed Val-Kill Industries and which would become Eleanor's home after Franklin's death. It was the only residence that she personally owned.

Eleanor Roosevelt often hosted workshops for Encampment for Citizenship here.

In 1977, President Jimmy Carter signed a proclamation making it the Eleanor Roosevelt National Historic Site. In 1984 the Eleanor Roosevelt Center at Val-Kill negotiated an agreement with the National Park Service and made Stone Cottage its home. In 2008 the Eleanor Roosevelt Center at Val-Kill moved from Stone Cottage to a new facility at Val-Kill.

See also: Val-Kill Industries

Read more about this topic:  Eleanor Roosevelt National Historic Site

Famous quotes containing the word history:

    In the history of the human mind, these glowing and ruddy fables precede the noonday thoughts of men, as Aurora the sun’s rays. The matutine intellect of the poet, keeping in advance of the glare of philosophy, always dwells in this auroral atmosphere.
    Henry David Thoreau (1817–1862)

    The only thing worse than a liar is a liar that’s also a hypocrite!
    There are only two great currents in the history of mankind: the baseness which makes conservatives and the envy which makes revolutionaries.
    Edmond De Goncourt (1822–1896)

    False history gets made all day, any day,
    the truth of the new is never on the news
    False history gets written every day
    ...
    the lesbian archaeologist watches herself
    sifting her own life out from the shards she’s piecing,
    asking the clay all questions but her own.
    Adrienne Rich (b. 1929)