Influence/effect On Others
Elaine's charm and confidence contribute to her ability to influence others, often with disastrous consequences.
- In "The Chinese Woman", Jerry describes how Elaine has had a destructive effect on her relationship with her friend Noreen. It is revealed that over the course of their friendship, Elaine has convinced Noreen to join the army, go AWOL from the army, dump her "high talker" boyfriend, and dump her "long talker" boyfriend. Eventually, Kramer steps in and forbids Elaine to have any more contact with Noreen.
- In "The Muffin Tops", Elaine convinces her former boss Mr. Lippman to start his own business selling just "muffin tops". However, they soon run into problems when nobody will take the leftover stumps, and only by calling in "The Cleaner" (who turns out to be Newman) can they get rid of them.
- In "The Non-Fat Yogurt", Elaine suggests to Lloyd Braun, an advisor to Mayor Dinkins, that everyone in the city should wear name tags. Lloyd Braun suggests this idea to Dinkins and he likes it so much that he adds it to his campaign, subsequently leading to his loss in the mayoral elections. In "The Gum", it is revealed that Lloyd Braun also loses his job and later suffered a nervous breakdown.
- In "The Pilot," Russell Dalrymple's love for Elaine drives him to the point near the end of the show that he joins Greenpeace just to impress her and dies in the aftermath.
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Famous quotes containing the words influence and/or effect:
“They tell us that women can bring better things to pass by indirect influence. Try to persuade any man that he will have more weight, more influence, if he gives up his vote, allies himself with no party and relies on influence to achieve his ends! By all means let us use to the utmost whatever influence we have, but in all justice do not ask us to be content with this.”
—Mrs. William C. Gannett, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 5, ch. 8, by Ida Husted Harper (1922)
“I have witnessed, and greatly enjoyed, the first act of everything which Wagner created, but the effect on me has always been so powerful that one act was quite sufficient; whenever I have witnessed two acts I have gone away physically exhausted; and whenever I have ventured an entire opera the result has been the next thing to suicide.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)