Plot
Gervasio Robles Villa, son of a white man and an Oaxacan Indian woman, is imprisoned for assassinating his fiancée, a crime that he did not commit. During the time he was in jail, he learned Wushu from a mysterious man called "El Indio" (a Native American convicted for tax evasion). The Main General of the police, Porfirio Ayala, convinced of Villa's innocence, decides to release him and return him the life he was taken from. Nevertheless, this act of kindness is conditional. Gervasio will be able to remain free under one condition: he must work secretly with the police and to catch criminals who inhabit the city. Now, El Pantera must find himself, recover his life and discover what his destiny is, to be known as “The Panther”. Once in the city he meets a beautiful woman named Lola. Despite the fact that Lola has a past that not every woman would be proud of El Pantera falls in love with her.
In the 2nd Season, El Pantera must confront a new truth, that his girlfriend Rosaura was not killed, but faked her death in order to ascend to the title of "Reina del Narco" loosely translated as "Queen of the Drugtrade", as daughter of "El Rubio Barrios" she was in charge of running the Gulf Drug Cartel. El Pantera then must fight against Police, the Mexican Army, the Pacific Cartel, Korean Mafias and the DEA to save the woman he still loves from torture, death, and even her own ambition.
Read more about this topic: El Pantera
Famous quotes containing the word plot:
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)