Statue
In 1976, the Spanish artist Agustín de la Herrán Matorras was commissioned by the religious order of the Oblates to build a 45-metre-tall aluminum monument of a madonna which was assembled on a high pedestal on the top of Panecillo. It is made of seven thousand pieces of aluminium. The monument was inaugurated on March 28, 1976, by the 11th archbishop of Quito, Pablo Muñoz Vega. The statue was engineered and erected by Anibal Lopez of Quito.
The virgin stands on top of a globe and is stepping on a snake, which is a classic madonna iconography. Less traditional are the wings. Locals claim that she is the only one in the world with wings like an angel. The monument was inspired by the famous "Virgen de Quito" (Quito's Madonna) also known as "the dancer" sculpted by Bernardo de Legarda in 1734, which now decorates the main altar at the Church of St. Francis. This madonna represents a turning point of the Quito School of Art (one of the most renowned of the Americas) because it shows a virgin in movement that is practically dancing in contrast with the traditional static Madonnas that were produced during the 18th century.
According to a bronze placard affixed to the monument, the woman represented by the statue is the Woman of the Apocalypse, as described in the Book of Revelation (Revelation 12:1–18).
Read more about this topic: El Panecillo
Famous quotes containing the word statue:
“Only he who can view his own past as an abortion sprung from compulsion and need can use it to full advantage in the present. For what one has lived is at best comparable to a beautiful statue which has had all its limbs knocked off in transit, and now yields nothing but the precious block out of which the image of one’s future must be hewn.”
—Walter Benjamin (1892–1940)
“The man who is ostentatious of his modesty is twin to the statue that wears a fig-leaf.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“The statue is then beautiful when it begins to be incomprehensible, when it is passing out of criticism, and can no longer be defined by compass and measuring-wand, but demands an active imagination to go with it, and to say what it is in the act of doing.”
—Ralph Waldo Emerson (1803–1882)