Political Impact
El Mundo has played a key role in uncovering several scandals—among them embezzlement by the commander of the Guardia Civil, and accusations of insider trading and tax fraud by the governor of the Central Bank of Spain. Investigative reporting by the staff of El Mundo also revealed connections between the terrorist Grupos Antiterroristas de Liberación (GAL) and the Socialist administration of Felipe González, revelations that contributed to his defeat in the 1996 elections.
In October 2005, El Mundo revealed that Nazi Aribert Heim (aka "Doctor Death") had been living in Spain for 20 years, probably with help from the ODESSA network, in collaboration with Otto Skorzeny, who had helped set up one of the most important ODESSA bases of operation in Spain, during the rule of the late dictator Francisco Franco.
After the 11 March 2004 Madrid train bombings, the newspapers El Mundo and La Razón, the regional television channel Telemadrid and the COPE radio network alleged that there had been inconsistencies in the explanations given by the Spanish judiciary about the bombings. Other Spanish media, such as El País, ABC and the Cadena SER radio network, accused El Mundo and the other media of manipulation over this issue. The bombings and the subsequent judicial showdown are still hotly debated in Spain today.
Read more about this topic: El Mundo (Spain)
Famous quotes containing the words political and/or impact:
“Of all my prosecutors ... not one is my peer, but each and all are my political sovereigns; and had your honor submitted my case to the jury, as was clearly your duty, then I should have had just cause of protest, for not one of those men was my peer; but, native or foreign born, white or black, rich or poor, educated or ignorant, sober or drunk, each and every man of them was my political superior; hence, in no sense, my peer.”
—Susan B. Anthony (1820–1906)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)