El Greco (2007 Film) - Plot

Plot

The film is an epic tale of Domenicos Theotokopoulos, best known as El Greco, a great Greek artist of the 16th century with an uncompromising character, who sets off from his homeland Crete and goes to Venice and finally Toledo, in search of freedom and love. There he is confronted by his greatest adversary, the Spanish Inquisition, but his creative consciousness and power make him stand out and overcome barbarity and ignorance.

Being imprisoned and awaiting execution by the Spanish Inquisition, Domenicos (Nick Ashdon) writes out his story, thus parts of his life play out in extended flashbacks. Born on the island of Crete, which was part of the Republic of Venice, he falls in love with Francesca (Dimitra Matsouka), daughter of the Venetian governor of Crete. But his father is preparing a political rebellion and as a result Domenicos leaves the island and moves to Venice, away from the young woman. There he meets the famous painter Titian (Sotiris Moustakas) and the Spanish priest Fernando NiƱo de Guevara (Juan Diego Botto). Guevara immediately shows a confused interest in Domenicos, and, when roiled by the Greek - and fighting personal demons - calls Domenicos before the Inquisition where he must defend himself against charges of Heresy.

Read more about this topic:  El Greco (2007 Film)

Famous quotes containing the word plot:

    Trade and the streets ensnare us,
    Our bodies are weak and worn;
    We plot and corrupt each other,
    And we despoil the unborn.
    Ralph Waldo Emerson (1803–1882)

    There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.
    Ralph Waldo Emerson (1803–1882)

    Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.
    Jane Rule (b. 1931)