El Chavo - Relation To Walt Disney Movies

Relation To Walt Disney Movies

Dozens of soundtracks from numerous Walt Disney movies (Dumbo, Peter Pan, Snow White, Pinocchio to name a few) were known to be used frequently throughout the show's run during their commercial breaks & whenever the program resumed. They would also use them to provide the mood of the episode, but the music's original subject never actually connected with the mood of the episode: A perfect example is when El Chavo felt lonely (this was during the special episode which the entire cast vacationed in Acapulco) the instrumental to Peter Pan's theme song "The Second Star to the Right" cued to display his loneliness even though the latter song subject is lyrically a cheerful

Read more about this topic:  El Chavo

Famous quotes containing the words relation to, relation, walt and/or movies:

    In relation to God, we are like a thief who has burgled the house of a kindly householder and been allowed to keep some of the gold. From the point of view of the lawful owner this gold is a gift; From the point of view of the burglar it is a theft. He must go and give it back. It is the same with our existence. We have stolen a little of God’s being to make it ours. God has made us a gift of it. But we have stolen it. We must return it.
    Simone Weil (1909–1943)

    Whoever has a keen eye for profits, is blind in relation to his craft.
    Sophocles (497–406/5 B.C.)

    In his very rejection of art Walt Whitman is an artist. He tried to produce a certain effect by certain means and he succeeded.... He stands apart, and the chief value of his work is in its prophecy, not in its performance. He has begun a prelude to larger themes. He is the herald to a new era. As a man he is the precursor of a fresh type. He is a factor in the heroic and spiritual evolution of the human being. If Poetry has passed him by, Philosophy will take note of him.
    Oscar Wilde (1854–1900)

    Commercial jazz, soap opera, pulp fiction, comic strips, the movies set the images, mannerisms, standards, and aims of the urban masses. In one way or another, everyone is equal before these cultural machines; like technology itself, the mass media are nearly universal in their incidence and appeal. They are a kind of common denominator, a kind of scheme for pre-scheduled, mass emotions.
    C. Wright Mills (1916–62)