El Chavo - Production and Setting

Production and Setting

El Chavo is set in "La Vecindad", a typical Mexican townhouse neighborhood, owned by Señor Barriga who constantly comes to collect due rent, especially from Don Ramon. The sitcom explores, in a comic manner, the problems that many homeless children face on a daily basis, such as hunger, sadness and not having someone responsible to watch over them. On one episode, for example, Chavo was sitting on the stair steps of the vecindad at night, dreaming of all the toys he wished he could have and how he'd play with them. It ended with him returning to the present, sighing wistfully, then pulling out a balero (the only toy he'd ever had on a regular basis) made of a stick, a tin can, and a piece of string. He begins to play with it as the camera slowly fades out. Some episodes also have educational endings, teaching, for example, that it's good to take a shower and to not judge a book by its cover.

El Patio, the central courtyard, is the setting for most of the episodes. Surrounding the patio, are the homes of Jaimito "El Cartero" (from 1982 onwards), Doña Florinda, Doña Cleotilde, and Don Ramon. The hallway on the right leads to another courtyard ("el otro patio"), the other courtyard, which has a fountain in the middle. On the street facade at the left, La tienda de la esquina and a barber shop are shown adjacent to the neighborhood's entry.

In the later seasons, sometimes an unnamed park was shown. Several episodes are set in Professor Jirafales's classroom, where he teaches, all the child characters in the sitcom attend the same classroom. Others are set inside Doña Florinda's restaurant. Three episodes were filmed in Acapulco, which also served as a vacation for the entire cast.

Read more about this topic:  El Chavo

Famous quotes containing the words production and/or setting:

    By bourgeoisie is meant the class of modern capitalists, owners of the means of social production and employers of wage labor. By proletariat, the class of modern wage laborers who, having no means of production of their own, are reduced to selling their labor power in order to live.
    Friedrich Engels (1820–1895)

    The supreme, the merciless, the destroyer of opposition, the exalted King, the shepherd, the protector of the quarters of the world, the King the word of whose mouth destroys mountains and seas, who by his lordly attack has forced mighty and merciless Kings from the rising of the sun to the setting of the same to acknowledge one supremacy.
    Ashurnasirpal II (r. 883–59 B.C.)