Eiichiro Oda - Career

Career

At the age of 17, Oda submitted his work Wanted! and won several awards, including second place in the coveted Tezuka Award. That got him into a job at the Weekly Shōnen Jump magazine, where he originally worked as assistant to Shinobu Kaitani's series Suizan Police Gang before moving to Masaya Tokuhiro on Jungle King Tar-chan and Mizu no Tomodachi Kappaman, which gave him an unexpected influence on his artistic style. At the age of 19, he worked as an assistant to Nobuhiro Watsuki on Rurouni Kenshin, before winning the Hop Step Award for new artists. Watsuki also credits Oda for the creation of the character Honjō Kamatari who appears in Rurouni Kenshin. During this time, he drew two pirate-themed one-shot stories, called "Romance Dawn", which would debut in Akamaru Jump and Weekly Jump in late 1996-early 1997. "Romance Dawn" featured Monkey D. Luffy as the protagonist, who then became the protagonist of One Piece. While Oda was an assistant of Watsuki, his colleague was Hiroyuki Takei, and the three of them are good friends.

In 1997, One Piece appeared for the first time in Weekly Shōnen Jump and promptly became one of the most popular manga in Japan. His biggest influence is Akira Toriyama, who is the creator of Dragon Ball and Dr. Slump.

In an interview with Shonen Jump, when asked what his three favorite manga by other authors were, he stated 'everything by Akira Toriyama'. Oda and Toriyama have made a one shot called Cross Epoch containing characters from Toriyama's Dragon Ball and Oda's One Piece.

Read more about this topic:  Eiichiro Oda

Famous quotes containing the word career:

    My ambition in life: to become successful enough to resume my career as a neurasthenic.
    Mason Cooley (b. 1927)

    The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.
    Anna Quindlen (b. 1952)

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)