New York Success
In 1826 he had a great success at the Bowery Theatre in New York City as Othello. The management employed him at a salary far below his worth, and he was at once offered increased payment at another theatre; but he refused to break his word, and carried out the contract to his own detriment. This strict sense of honor was characteristic of him throughout his career. His New York success was repeated in every city he visited. In 1829 he was featured as Metamora in the play Metamora; or, The Last of the Wampanoags by John Augustus Stone. After a few years of profitable labor, during which he had encouraged native talent by liberal offers for new American plays, he went to Europe for rest and travel and larger observation, and was received with much courtesy by actors and scholars.
He returned to Philadelphia in 1831, and played there and in New York and elsewhere with triumphant success until September, 1836, when he sailed for England, this time professionally, and made his first appearance at Drury Lane as Spartacus in the Gladiator in 1836. The play was not a success, although his own role was noted favorably. During a season of ten months he performed in that historic theatre the parts of Macbeth, Othello, and King Lear. His social triumphs were as great as were his professional; he was entertained by William Macready and Charles Kemble, and at the end of the season was complimented by a dinner at the Garrick Club, presided over by Thomas Talfourd. During this engagement he married, in June 1837, Miss Catherine Norton Sinclair, daughter of John Sinclair, a popular English singer. He returned to Philadelphia in November of the same year and began an engagement. His wife made a deep impression wherever she was presented, and it was argued that domestic happiness would be the fitting crown of his public career. But these predictions were disappointed.
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