Edward Taylor "Ted" Scott (15 November 1883 - 22 April 1932) was a British journalist, who was editor and briefly co-owner of the Manchester Guardian, and the younger son of its legendary editor-owner C. P. Scott.
After a brief spell at the University of Oxford, Ted Scott attended the London School of Economics, and eventually took a University of London external degree, having left the LSE to work as private secretary to Sidney Olivier, the governor of Jamaica. While at the LSE he lodged with the family of the economist and Guardian contributor J. A. Hobson, and later married Hobson's daughter Mabel.
Ted Scott joined the Manchester Guardian in 1913 and became its commercial editor and main writer of leaders on economic policy. In the spring of 1915 he joined the army to fight in World War I. In 1918 he was captured as a prisoner of war until the end of hostilities. After the war he rejoined the paper, eventually succeeding his father as editor on July 1, 1929. Ted Scott's most important action as editor was to move the paper from its initial position of support for Ramsay MacDonald's National Government towards the opposition.
Ted Scott became joint owner of the Guardian with his brother John after the death of their father on New Year's Day, 1932. Less than four months later Ted Scott drowned while sailing on Windermere. His death put the future independence of the Guardian in doubt, as the Scott family struggled to pay the inheritance taxes. He was succeeded as editor by W. P. Crozier.
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| Preceded by Charles Prestwich Scott |
Editor of The Manchester Guardian 1929 - 1932 |
Succeeded by William Percival Crozier |
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| Name | Scott, Edward |
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| Short description | |
| Date of birth | 15 November 1883 |
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| Date of death | 22 April 1932 |
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Famous quotes containing the words edward, taylor and/or scott:
“Flower Belle! What a euphonious appellation! Easy on the ears and a banquet for the eyes!”
—Mae West, U.S. screenwriter, W.C. Fields, and Edward Cline. Cuthbert Twillie (W.C. Fields)
“The Taylor and the Painter often contribute to the Success of a Tragedy more than the Poet. Scenes affect ordinary Minds as much as Speeches; and our Actors are very sensible, that a well-dressed Play has sometimes brought them as full Audiences, as a well-written one.... But however the Show and Outside of the Tragedy may work upon the Vulgar, the more understanding Part of the Audience immediately see through it, and despise it.”
—Joseph Addison (1672–1719)
“What lies behind facts like these: that so recently one could not have said Scott was not perfect without earning at least sorrowful disapproval; that a year after the Gang of Four were perfect, they were villains; that in the fifties in the United States a nothing-man called McCarthy was able to intimidate and terrorise sane and sensible people, but that in the sixties young people summoned before similar committees simply laughed.”
—Doris Lessing (b. 1919)