Edward Steichen - Gallery

Gallery

  • "Landscape with Avenue of Trees," a painting by Steichen, 1902

  • Portrait of Auguste Rodin by Steichen, 1902

  • The cover of Camera Work, showing Steichen's design and custom typeface. Also, in this specific issue, Issue 2, the entire volume was devoted to Steichen's photographs.

  • "Self-portrait", by Edward Steichen. Published in Camera Work No 2, 1903

  • Portrait of J.P. Morgan, taken in 1903

  • The Flatiron Building in a photograph of 1904, taken by Steichen.

  • "Experiment in Three-Color Photography," by Steichen, published in Camera Work No 15, 1906

  • "Pastoral – Moonlight," by Steichen, published in Camera Work No 20, 1907

  • "Eugene, Stieglitz, Kühn and Steichen Admiring the Work of Eugene," by Frank Eugene from 1907. From left to right are Eugene, Alfred Stieglitz, Heinrich Kühn, and Steichen.

  • Picture by Steichen of Brâncuşi's studio, 1920

  • Portrait of Constantin Brâncuşi, taken at Steichen's home & studio at Voulangis, in 1922.

  • "Wind Fire." Thérèse Duncan, the adopted daughter of Isadora Duncan, dancing at the Acropolis of Athens, 1921, by Steichen.

  • "Aircraft of Carrier Air Group 16 return to the USS Lexington (CV-16) during the Gilberts operation, November 1943." Photographed by Commander Edward Steichen, USNR.

  • Cmdr Edward Steichen photographed above the deck of the aircraft carrier USS Lexington (CV-16) by Ens Victor Jorgensen, November 1943.

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Famous quotes containing the word gallery:

    I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.
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    I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.
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    To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.
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