Stage and Film Career
Horton started his stage career in 1906, singing and dancing and playing small parts in Vaudeville and in Broadway productions. In 1919, he moved to Los Angeles, California, and started getting roles in Hollywood films. His first starring role was in the 1922 comedy film Too Much Business, and he portrayed the lead role of an idealistic young classical composer in Beggar on Horseback in 1925. In the late 1920s he starred in two-reel silent comedies for Educational Pictures, and made the transition to talking pictures with Educational in 1929. As a stage trained performer, he found more film work easily, and appeared in some of Warner Bros.' early talkies, including The Hottentot and Sonny Boy. His distinctive voice was one of his trademarks.
Horton originally went under his given name, Edward Horton. His father persuaded him to adopt his full name professionally, reasoning that there might be other actors named Edward Horton, but only one named Edward Everett Horton.
Horton's screen character was instantly defined from his earliest talkies: pleasant and dignified, but politely hesitant when faced with a potentially embarrassing situation. Horton soon cultivated his own special variation of the time-honored double take (an actor's reaction to something, followed by a delayed, more extreme reaction). In Horton's version, he would smile ingratiatingly and nod in agreement with what just happened; then, when realization set in, his facial features collapsed entirely into a sober, troubled mask.
Horton starred in many comedy features in the 1930s, usually playing a mousy fellow who put up with domestic or professional problems to a certain point, and then finally asserted himself for a happy ending. He is best known, however, for his work as a character actor in supporting roles. Some of his noteworthy films include The Front Page (1931), Trouble in Paradise (1932), Alice in Wonderland (1933), The Gay Divorcee (1934), Top Hat (1935, one of several Astaire/Rogers films in which Horton appeared), Danger - Love at Work (1937), Lost Horizon (1937), Holiday (1938), Here Comes Mr. Jordan (1941), Arsenic and Old Lace (1944), Pocketful of Miracles (1961),It's a Mad, Mad, Mad, Mad World (1963), and Sex and the Single Girl (1964). He last appeared in a non-speaking role in Cold Turkey (1971).
Horton continued to appear in stage productions, often in summer stock. His performance in the play Springtime for Henry became a perennial in summer theaters.
Author F. Scott Fitzgerald lived in a cottage on Horton's estate for a time in the late 1930s.
Read more about this topic: Edward Everett Horton
Famous quotes containing the words stage, film and/or career:
“If you’re an actor, a real actor, you’ve got to be on the stage. But you mustn’t go on the stage unless it’s absolutely the only thing you can do.”
—Dame Edith Evans (1888–1976)
“A good film script should be able to do completely without dialogue.”
—David Mamet (b. 1947)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)