Edward Brongersma - Work

Work

Brongersma published extensively on a wide variety of topics, authoring some 1200 books and articles between 1930 and 1998 on social and philosophical subjects such as criminal law, constitutional law, criminology, philosophy, religion, sexuology, legislation on public morals and literary topics. Able to read ten West-European languages, he has written books on the Civil War in Spain, Portugal and the Portuguese, penal law and social problems. Beginning with his years at the Criminological Institute, he has written extensively in the area of sexuology, especially on pornography, ephebophilia, pedophilia and the age of consent. His books on this subjects include: Das Verfehmte Geschlecht (in German, 1970), Sex en Straf ("Sex and Punishment", 1972), Over pedofielen en kinderlokkers ("On Pedophiles and Child Molesters", 1975), and his last work is his magnum opus and entitled Loving Boys (two volumes, 1988–1990).

Brongersma's work and activism regarding pedophilia focussed exclusively on homosexual pedophilia between males and admitted several times that he knew little or nothing about heterosexual or lesbian pedophila. Brongersma opposed the other prominent figure in the 1970s pedophile emancipation movement in the Netherlands, psychologist Frits Bernard, who considered pedophilia not pathological irrespective of the gender of the participants.

Read more about this topic:  Edward Brongersma

Famous quotes containing the word work:

    In a world where women work three times as hard for half as much, our achievement has been denigrated, both marriage and divorce have turned against us, our motherhood has been used as an obstacle to our success, our passion as a trap, our empathy for others as an excuse to underpay us.
    Erica Jong (20th century)

    ... too many young painters of the day work for the crowd, and not for art. But, then, should not the painters of the day work for the education of the crowd?
    M. E. W. Sherwood (1826–1903)

    You should go to picture-galleries and museums of sculpture to be acted upon, and not to express or try to form your own perfectly futile opinion. It makes no difference to you or the world what you may think of any work of art. That is not the question; the point is how it affects you. The picture is the judge of your capacity, not you of its excellence; the world has long ago passed its judgment upon it, and now it is for the work to estimate you.
    Anna C. Brackett (1836–1911)