Verse
Waller's lyrics were at one time admired to excess, but with the exception of "Song" (Go, lovely Rose) and one or two others, they have lost their popularity. He lacked imaginative invention, but resolutely placed himself in the forefront of reaction against the violence and "conceit" into which the baser kind of English poetry was descending.
Waller was regarded by some as the pioneer in introducing the classical couplet into English verse. It is, of course, obvious that Waller could not "introduce" what had been invented, and admirably exemplified, by Geoffrey Chaucer. But those who have pointed to smooth distichs employed by poets earlier than Waller have not given sufficient attention to the fact (exaggerated, doubtless, by critics arguing in the opposite camp) that it was he who earliest made writing in the serried couplet the habit and the fashion. Waller was writing in the regular heroic measure, afterwards carried to so high a perfection by John Dryden and Alexander Pope, perhaps even in 1621.
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Famous quotes containing the word verse:
“But there’s another knowledge that my heart destroys
As the fox in the old fable destroyed the Spartan boy’s
Because it proves that things both can and cannot be;
That the swordsmen and the ladies can still keep company;
Can pay the poet for a verse and hear the fiddle sound,
That I am still their servant though all are underground.”
—William Butler Yeats (1865–1939)
“This be the verse you grave for me:
Here he lies where he longed to be;
Home is the sailor, home from the sea,
And the hunter home from the hill.”
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“Much verse fails of being poetry because it was not written exactly at the right crisis, though it may have been inconceivably near to it. It is only by a miracle that poetry is written at all. It is not recoverable thought, but a hue caught from a vaster receding thought.”
—Henry David Thoreau (1817–1862)