Edmund Bolton - Works

Works

The most important of his numerous works are Hypercritica, a short critical treatise begun about 1618 but not finished till 1621 (a date establishable by examination of its manuscript in the Bodleian Library, which refers to Bolton's contemporary Francis Bacon as Viscount St Alban, a title Bacon acquired in that year). This is valuable for its notices of contemporary authors such as Ben Jonson, whom he praises as the greatest English poet; this manuscript was reprinted in Joseph Haslewood's Ancient Critical Essays (vol. ii., 1815); Nero Caesar, or Monarchie Depraved (1624), with special note of British affairs. Unsurprisingly, Bolton praised the virtues of strong monarchy and asserted the horror of any rebellion, even against unjust authority. In the preface, Bolton hints that James had encouraged the work, and the language of the whole text is a more or less evident bid for the patronage of Charles I. The bid failed.

Hypercritica was a kind of prolegomenon to Bolton's most ambitious project, never completed: an updated history of Britain based on archives and other original sources, free of both the cant of medieval historians and the clumsiness of Tudor chroniclers such as Stow. Like the Academy, this work never materialized, though Bolton continued to work on related projects throughout his life. In the early 1630s, he attempted to interest London's city government in an updated history of the city in English and Latin. After some initial interest, the aldermen balked at the cost (more than 3000 pounds). Shortly before his death, Bolton gave the manuscript to Selden; it is now lost. Also lost is a companion to the work on Nero, a biography of Tiberius.