Critic
He then took up literary work in London. He reviewed for the Times Literary Supplement, which led to his celebrated review of T. S. Eliot's The Waste Land. J. C. Squire published him in the London Mercury, and Desmond MacCarthy as literary editor of the New Statesman gave him work.
He started the Calendar of Modern Letters literary review, now highly regarded, in March 1925. It lasted until July 1927, assisted by Douglas Garman and then Bertram Higgins, and contributions from his cousin C. H. Rickword. The Scrutinies books of collected pieces from it were a succes d'estime; the purpose of the publication was a mass killing of the sacred cows of Edwardian literature (G. K. Chesterton, John Galsworthy, John Masefield, George Bernard Shaw, H. G. Wells). Its undoubted influence as a precursor of later criticism was very marked in the early days of Scrutiny, the magazine founded a few years later by F. R. Leavis and Q. D. Leavis. Rickword also wrote for that publication.
Read more about this topic: Edgell Rickword
Famous quotes containing the word critic:
“You do not become a critic until it has been completely established to your own satisfaction that you cannot be a poet.”
—Théophile Gautier (1811–1872)
“The good critic is he who relates the adventures of his soul among masterpieces.”
—Anatole France (1844–1924)
“No publisher should ever express an opinion on the value of what he publishes. That is a matter entirely for the literary critic to decide.... I can quite understand how any ordinary critic would be strongly prejudiced against a work that was accompanied by a premature and unnecessary panegyric from the publisher. A publisher is simply a useful middle-man. It is not for him to anticipate the verdict of criticism.”
—Oscar Wilde (1854–1900)