Critical Reception
According to review aggregator Rotten Tomatoes, the film is rated as "fresh", with a score of 83% based on 23 reviews, summing up opinion as: "A brutal and effective British hoodie-horror that, despite the clichés, stays on the right side of scary."
Dennis Harvey reviewed the film for Variety and said that it was "an effectively harrowing Brit thriller-cum-horror pic," comparing it to Last House on the Left and Lord of the Flies. The Guardian's Peter Bradshaw drew parallels with Deliverance, Straw Dogs and Blue Remembered Hills, and stated that "this looks to me like the best British horror film in years: nasty, scary and tight as a drum," concluding that the film was "exceptionally well made, ruthlessly extreme, relentlessly upsetting."
Other critics, however, have savaged the film, denouncing it as an incitement to class prejudice against working class people in Britain. The Sun condemened the film's "nasty suggestion that all working class people are thugs" while even the staunchly right wing Daily Telegraph concluded that "this ugly witless film expresses fear and loathing of ordinary English people". Left wing writer Owen Jones, in his book Chavs: The Demonisation of the Working Class cites the film at length as an example of media demonisation of proletarian youth via the "Chav" stereotype. He comments, "Here was a film arguing that the middle classes could no longer live alongside the quasi-bestial lower orders."
Eden Lake has been linked with other, roughly contemporaneous, films that deal with concerns over "Broken Britain" and a fear of "hoodies," including Harry Brown, The Disappeared, Summer Scars, Outlaw, The Great Ecstasy of Robert Carmichael, Cherry Tree Lane and Heartless.
Read more about this topic: Eden Lake
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