Career
McGuinness first gained recognition in the comic book industry with his work on Deadpool and Vampirella. His short run on Wildstorm's Mr. Majestic resulted in work as the artist on the monthly Superman title with writer Jeph Loeb. His run on the title included the "Emperor Joker" and "Our Worlds at War" crossovers. Subsequent jobs included Superman/Batman, and the 2003 Wildstorm Comics' miniseries, Thundercats: Reclaiming Thundera. The Superman/Batman: Public Enemies animated film was adapted from Loeb and McGuinness' opening story arc on the Superman/Batman title.
McGuinness and inker Dexter Vines have teamed up on Superman/Batman, JLA Classified, Fallen Son: The Death of Captain America, and The Hulk vol. 4 (the last two series written by another frequent collaborator, Jeph Loeb).
McGuinness has also worked on titles such as Wolverine 96 and Fighting American.
In May 2006, McGuinness signed an exclusive two-year contract with Marvel Comics. His first printed Marvel piece was a cover for the Marvel limited series Civil War, and featured Thor in his original outfit. He also drew a variant cover for the monumental Captain America #25. McGuinness's first ongoing story under his new Marvel Contract was a 12-page Ultimate back-up featuring the Hulk vs. Wolverine.
Beginning in 2008, McGuinness drew the first six issues of a new Hulk series, during which he and writer Jeph Loeb introduced a new archenemy, Red Hulk. McGuinness would sporadically draw 11 more issues of the series until issue #30 (April 2011). Loeb characterized McGuinness' art style thus: "He takes a little bit of Kirby, a taste of Arthur Adams, and then adds his own unique spin and it's awesome."
Read more about this topic: Ed Mc Guiness
Famous quotes containing the word career:
“Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.”
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“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
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“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a womans career for her to be able to go out on a limb without having her credentials questioned.”
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