Reception
Reception for the game was mixed-to-negative, with Metacritic giving the game a 43 out of 100 rating, based on 7 reviews, with the consensus being "generally unfavourable". Most reviews did, however, point out a wide selection of wrestlers.
GameSpot says "Things just don't feel quite right, and, even if you like the controls, the AI still cheats too much, the same boring combinations still lead to wins, and crowd involvement still takes precedence over inherent skill," while giving the game 5.5 out of 10 stars.
GamePro gives a 2.5/5 rating, describing the game as "the fourth War Zone-engine game from your friends at Acclaim. It's a perfect example of the adage, 'If it's broke but people still buy it, don't worry about fixing it'."
IGN gives Anarchy Rulz a 3.8/10 rating, criticizing the inclusion of Dusty Rhodes and stating that "I'd recommend Anarchy Rulz only to ECW fans, and their reaction might only be to wonder where everything they liked about the promotion has gone".
Gaming Age gave the worst rating, at 16 on Metacritc, saying that "Acclaim has wasted no time in beating every other company to the market with not only an inferior product, but also quite possibly one of their worst creations — ever".
Read more about this topic: ECW Anarchy Rulz (video Game)
Famous quotes containing the word reception:
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)