Television and Cinema
The majority of the movies shown in movie theatres in Ecuador come from the United States. The movies are often in English, and have Spanish subtitles, but are sometimes translated for family movies.
The Ecuador Film Company was founded in Guayaquil in 1924. During the early 1920s to early 1930s, Ecuador enjoyed its Cinema Golden Age era. However, the production of motion pictures declined with the coming of sound.
Beyond the Gates of Splendor (2002), directed by Jim Hanon, is a documentary about five missionaries killed by the Huaorani Indians in the 1950s. He recycles the story in the 2006 Hollywood production End of the Spear. Most of this film was shot in Panama.
Entre Marx y una Mujer Desnuda (Between Marx and a Nude Woman, 1995), by Ecuadorian Camilo Luzuriaga, provides a window into the life of young Ecuadorian leftists living in a country, plagued by the remnants of feudal systems and coups d'état. It is based on a novel by Jorge Enrique Adoum.
In addition to film, there are numerous books and novels based on Ecuador, including the science fiction novel Galápagos by Kurt Vonnegut.
Read more about this topic: Ecuadorian Literature
Famous quotes containing the words television and, television and/or cinema:
“His [O.J. Simpson’s] supporters lined the freeway to cheer him on Friday and commentators talked about his tragedy. Did those people see the photographs of the crime scene and the great blackening pools of blood seeping into the sidewalk? Did battered women watch all this on television and realize more vividly than ever before that their lives were cheap and their pain inconsequential?”
—Anna Quindlen (b. 1952)
“What is a television apparatus to man, who has only to shut his eyes to see the most inaccessible regions of the seen and the never seen, who has only to imagine in order to pierce through walls and cause all the planetary Baghdads of his dreams to rise from the dust.”
—Salvador Dali (1904–1989)
“I rather think the cinema will die. Look at the energy being exerted to revive it—yesterday it was color, today three dimensions. I don’t give it forty years more. Witness the decline of conversation. Only the Irish have remained incomparable conversationalists, maybe because technical progress has passed them by.”
—Orson Welles (1915–1984)