Literature
- Die Grenzen der Hörbarkeit der Amplituden- und Frequenzmodulation von Tönen und ihre Berücksichtigung in der Übertragungstechnik und der Hörphysiologie. Dissertation, Stuttgart 1952
- Die elementaren Grundlagen zur Bestimmung der Informationskapazität des Gehörs. In: Acustica. Band 6, 1956, S. 365–381, Habilitationsschrift, 1956
- with Richard Feldtkeller: Das Ohr als Nachrichtenempfänger. Hirzel, Stuttgart 1956; 2. Auflage, Hirzel, Stuttgart 1967
- with Ernst Terhardt als Herausgeber: Facts and models in hearing. Proceedings of the Symposium on Psychophysical Models and Physiological Facts in Hearing. Held at Tutzing, Oberbayern, April 22–26, 1974. Springer, Berlin 1974
- Psychoakustik. Springer, Berlin 1982, ISBN 3-540-11401-7
- with Manfred Zollner: Elektroakustik. Springer, Berlin 1984, ISBN 3-540-13509-X; 3. Springer, Berlin 1993, ISBN 3-540-56600-7
- with Hugo Fastl: Psychoacoustics. Facts and models. Springer, Berlin 1990, ISBN 3-540-52600-5; 3. Auflage, Springer, Berlin 2007, ISBN 978-3-540-23159-2
- Karl Eberhard Zwicker. 15.1.1924 – 22.11.1990. Feldpostbriefe aus dem Zweiten Weltkrieg an seine Eltern Wilhelm und Luise Zwicker und seinen Bruder Ulrich. Bis, Univ., Oldenburg 1993, ISBN 3-8142-0436-0
- DIN 45631, Berechnung des Lautstärkepegels aus dem Geräuschspektrum. Verfahren nach Eberhard Zwicker
- Herman A. O. Wilms: In Memoriam. Eberhard Zwicker. In: J. Audio Eng. Soc. Band 39, Nr. 3, März 1991, S. 199–200
Read more about this topic: Eberhard Zwicker
Famous quotes containing the word literature:
“The contemporary thing in art and literature is the thing which doesn’t make enough difference to the people of that generation so that they can accept it or reject it.”
—Gertrude Stein (1874–1946)
“Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.”
—Alexander Solzhenitsyn (b. 1918)
“The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.”
—Jean-Luc Godard (b. 1930)