The Eastman School of Music is a music conservatory located in Rochester, New York. The Eastman School is a professional school within the University of Rochester. It was established in 1921 by industrialist and philanthropist George Eastman, founder of the Eastman Kodak Company.
Today, there are more than 900 students enrolled in the collegiate division of the Eastman School (approximately 500 undergraduate and 400 graduate students). Students come from almost every state of the United States, and approximately 25% of students are from foreign countries.
Each year about 260 new students enroll (approximately 135 freshmen and 125 graduate students), selected from more than 2,000 applicants. Only about 13 percent of applicants are admitted.
About 1,000 students (ranging in age from 18 years to over 80 years of age) are enrolled in the Eastman School’s Community Music School.
In the 1997 and 2004 surveys conducted by U.S. News & World Report, the Eastman School was ranked first among graduate school music programs in the United States. In 1994, Eastman tied with The Juilliard School and the Jacobs School of Music of Indiana University among the top graduate programs in music.
Read more about Eastman School Of Music: History, Rankings, Administration, Campus and Facilities, Degrees Offered, Notable Teachers, Faculty and Alumni
Famous quotes containing the words eastman, school and/or music:
“A good deal of tyranny goes by the name of protection.”
—Crystal Eastman (1881–1928)
“Nevertheless, no school can work well for children if parents and teachers do not act in partnership on behalf of the children’s best interests. Parents have every right to understand what is happening to their children at school, and teachers have the responsibility to share that information without prejudicial judgment.... Such communication, which can only be in a child’s interest, is not possible without mutual trust between parent and teacher.”
—Dorothy H. Cohen (20th century)
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (1871–1922)