Music Video
The music video for "Earth Song", directed by fine art photographer Nick Brandt, was expensive and well-received; it gained a Le Film Fantastique: Best Video Award in 1996, the 1995 Doris Day Music Award at the Genesis Awards and a Grammy nomination for Best Music Video, Short Form in 1997. The production had an environmental theme, showing images of animal cruelty, deforestation, pollution, poverty and war. Jackson and the world's people unite in a spiritual chant—"Earth Song"—which summons a force that heals the world. Using special effects, time is reversed so that life returns, war ends and the forests regrow. The video closes with a request for donations to Jackson's Heal the World Foundation. The clip was shown infrequently in the United States.
The video was filmed in four geographic regions. The first location was the Amazon Rainforest, where a large part was destroyed a week after the video's completion. Natives of the region appeared in the video and were not actors. The second scene was a war zone in Karlovac, Croatia, with famous Serbian-born Croatian actor Slobodan Dimitrijević and the residents of the area. The third location was Tanzania, which incorporated scenes of illegal poaching and hunting into the video. No animals were harmed in the making of the "Earth Song", as the footage came from documentary archives. However, a poacher killed an elephant within a mile of the shot. The final location was in Warwick, New York, where a safe forest fire was simulated in a corn field.
The music video of the song also included on the video albums: HIStory on Film, Volume II, Number Ones and Michael Jackson's Vision.
Read more about this topic: Earth Song
Famous quotes containing the words music and/or video:
“The music stopp’d, and I stood still,
And found myself outside the Hill,
Left alone against my will,
To go now limping as before,
And never hear of that country more!””
—Robert Browning (1812–1889)
“It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today’s children have substituted television viewing and, most recently, video games.”
—Marie Winn (20th century)