Baroque Period and Thirty Years' War
Further information: Protestant Union and Catholic League (German)The Thirty Years' War (1618–1648) was a religious war principally fought in Germany, where it involved most of the European powers. The conflict began between Protestants and Catholics in the Holy Roman Empire, but gradually developed into a general, political war involving most of Europe. The Thirty Years' War was a continuation of the France-Habsburg rivalry for European political pre-eminence, and in turn led to further warfare between France and the Habsburg powers.
The major impact of the Thirty Years' War, fought mostly by mercenary armies, was the extensive destruction of entire regions, denuded by the foraging armies. Episodes of famine and disease significantly decreased the populace of the German states and the Low Countries and Italy, while bankrupting most of the combatant powers. Some of the quarrels that provoked the war went unresolved for a much longer time. The Thirty Years' War was ended with the Treaty of Münster, a part of the wider Peace of Westphalia.
The Baroque period (1600 to 1720) was one of the most fertile times in German literature. Many writers reflected the horrible experiences of the Thirty Years' War, in poetry and prose. Grimmelshausen's adventures of the young and naïve Simplicissimus, in the eponymous book Simplicius Simplicissimus, became the most famous novel of the Baroque period. Andreas Gryphius and Daniel Caspar von Lohenstein wrote German language tragedies, or Trauerspiele, often on Classical themes and frequently quite violent. Erotic, religious and occasional poetry appeared in both German and Latin.
Read more about this topic: Early Modern History Of Germany
Famous quotes containing the words baroque, period and/or war:
“It is the Late city that first defies the land, contradicts Nature in the lines of its silhouette, denies all Nature. It wants to be something different from and higher than Nature. These high-pitched gables, these Baroque cupolas, spires, and pinnacles, neither are, nor desire to be, related with anything in Nature. And then begins the gigantic megalopolis, the city-as-world, which suffers nothing beside itself and sets about annihilating the country picture.”
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