Film Locations and Novels
- Kensington Mansions, on the north side of Trebovir Road, was the mysterious mansion block in Roman Polanski’s movie Repulsion (1965), in which the sexually repressed Carole Ledoux (played by Catherine Deneuve) has a murderous breakdown. The film won the Silver Berlin Bear-Extraordinary Jury Prize at the Berlin Film Festival later the same year.
- 64 Redcliffe Square is featured in An American Werewolf in London (1981). The movie is a horror/comedy about two American tourists in Yorkshire who are attacked by a werewolf that none of the locals admit exists. The flat in the Square belongs to Alex (Jenny Agutter), a pretty young nurse who becomes infatuated with one of the two American college students (David Kessler), who is being treated in hospital in London.
- Earls Court was the setting for the 1941 novel 'Hangover Square: A Tale of Darkest Earl's Court' by novelist and playwright Patrick Hamilton. Often cited as Hamilton's finest work, it is set in 1939 in the days before war is declared with Germany. The hero George Harvey Bone innocently longs for a beautiful but cruel woman called Netta in the dark smoky pubs of Earls Court, all the while drowning himself in beer, whisky and gin.
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Famous quotes containing the words film and/or novels:
“Lay not that flattering unction to your soul,
That not your trespass but my madness speaks;
It will but skin and film the ulcerous place,
Whilst rank corruption, mining all within,
Infects unseen.”
—William Shakespeare (1564–1616)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)