Appearances in Other Media
- "Happy Alone" from the album Mentor Tormentor was used in the films Humboldt County (2008) and TiMER (2009).
- "The World" from the album Mentor Tormentor was played on Life during the discovery of a body in the episode titled "Initiative 38" (season 2, episode 20).
- "Town Where You Belong" from the album Hymn and Her was featured in an episode of ER (2008).
- "The World" from the album Mentor Tormentor was played during the season two premiere of Dollhouse when Claire Saunders left and Boyd found her note.
- "We Drink On The Job" from the album Everyone Down Here was featured in a first-season episode of the American drama show The O.C.
- "It's Okay To Think About The Ending" from the album Treble and Tremble was played in the American TV series House.
- "Bloody Nose" from the album Mentor Tormentor was featured in an episode of One Tree Hill (season 5, episode 3).
- "Interloper" from the EP "The Avenues" was featured in an episode in the American TV series The Vampire Diaries.
- "Interloper" from "The Avenues" played in the background during a scene in the American TV series Six Feet Under.
- "All They Ever Do Is Talk" from the album Treble and Tremble was featured in the episode of Veronica Mars titled Clash of the Tritons.
- "Before It Gets Better" from the album Hymn and Her was featured in the last scene of Ugly Betty 's 61st episode, Rabbit Test
- "Broke the Furniture" from the album Treble and Tremble plays during the closing credits of Keiran Mulroney's 2009 film Paper Man.
- ""Nevermind the Phonecalls" from the album Mentor Tormentor in the E09 S2 of shameless.
- "We Drink On The Job" from the album Everyone Down Here was featured in the American film The Art of Getting By.
Read more about this topic: Earlimart (band)
Famous quotes containing the words appearances and/or media:
“The appearances of goodness and merit often meet with a greater reward from the world than goodness and merit themselves.”
—François, Duc De La Rochefoucauld (16131680)
“The media network has its idols, but its principal idol is its own style which generates an aura of winning and leaves the rest in darkness. It recognises neither pity nor pitilessness.”
—John Berger (b. 1926)