Speaker | Title |
---|---|
Christian Brückner | Vater Unser |
E Nomine (Denn sie wissen nicht was sie tun) | |
Das Abendmahl | |
Vater Unser Part II (Psalm 23) | |
Mitternacht | |
Dracul's Bluthochzeit | |
Deine Welt | |
Das Omen (Im Kreis des Bösen) | |
Mysteria | |
Das Tier in mir | |
Martin Keßler | Himmel & Hölle |
Ave Maria | |
Aus dem Jenseits | |
Carpe Noctem | |
Opus Magnum | |
Frank Glaubrecht | Der Fürst der Finsternis |
Halleluja | |
Der Exorzist | |
Das Rad des Schicksals | |
Die Posaunen von Jericho | |
Joachim Kerzel | Die 10 Gebote |
Die Sintflut | |
Per L'Eternita | |
Das Tier in mir (Wolfen) | |
Michael Chevalier | Zorn - Die 12 Verbotenen Töne |
Herr der Schatten | |
Spiegelbilder | |
Thomas Danneberg | Bibelworte des Allmächtigen |
Im Zeichen des Zodiak | |
Nebelpfade | |
Eckart Dux | Angst |
Die Nachtwache | |
Wiegenlied | |
Rolf Schult | Die Schwarzen Reiter |
Hexenjagd | |
Helmut Krauss | Das Böse |
Schwarze Sonne | |
Otto Mellies | Wer den Wind sät... |
Der Ring der Nibelungen | |
Joachim Tennstedt | Exitus |
Friedenshymne | |
Jürgen Thormann | Seit Anbeginn der Zeit |
Der Prophet | |
Volker Brandt | Der Blaubeermund |
Manfred Lehmann | Séance |
Wolfgang Pampel | Anderwelt (Laterna Magica) |
Elmar Wepper | Die Runen von Asgard |
Gerrit Schmidt-Foß | Laetitia |
Elisabeth Günther | Morgane Le Fay |
Tobias Meister | Mondengel |
Read more about this topic: E Nomine
Famous quotes containing the word speaker:
“For, though the origin of most of our words is forgotten, each word was at first a stroke of genius, and obtained currency, because for the moment it symbolized the world to the first speaker and to the hearer. The etymologist finds the deadest word to have been once a brilliant picture.”
—Ralph Waldo Emerson (18031882)
“The most attractive sentences are, perhaps, not the wisest, but the surest and roundest. They are spoken firmly and conclusively, as if the speaker had a right to know what he says, and if not wise, they have at least been well learned.”
—Henry David Thoreau (18171862)
“English audiences of working people are like an instrument that responds to the player. Thought ripples up and down them, and if in some heart the speaker strikes a dissonance there is a swift answer. Always the voice speaks from gallery or pit, the terrible voice which detaches itself in every English crowd, full of caustic wit, full of irony or, maybe, approval.”
—Mary Heaton Vorse (18741966)