Reception
The game was highly anticipated after its release being announced because of its numerous new features and improvements of the last in the series. After its release, it scored 78 out of 100 on Metacritics review system, and received an average ratio of 77% at Game Rankings.
In just under four months, over 1 million copies of Dynasty Warriors 3 had been sold in North America and Japan combined and made it the first of Koei’s games to pass one million sales on a single platform and making it a platinum title. Not only that but it topped the sales charts for five consecutive weeks and, according to Famitsu Weekly, it was ranked the 9th best selling game of 2001.
Dynasty Warriors 3 still retains a number of the bad features that were in the previous game such as fogging and low quality English voice actors. Although the English voices were poor (they have gained a cult-like status among fans of the series), the player has the choice to turn on Japanese voices and, even though it still isn’t Chinese, they were of a much higher quality. IGN strongly criticised the game over the sound, both music and the voice acting. Despite a number of negative points coming up throughout the review it scored 6.8/10 and the reviewer saw it had potential to become a very good game.
On release, Famitsu magazine scored the game a 34 out of 40. Chi Kong Lui at Gamecritics.com looked past the sound and graphical flaws and concentrated more on the gameplay and setting, giving a high score of 9/10. He gave high praise to how much the game was based on the original Romance of the Three Kingdoms story and even went as far as saying "All the costuming of the 3D models is ethnically authentic and beautifully lavished" whereas a number of reviews described the graphical quality as being plain and blurry (Such as the said IGN review). It is also notable that the IGN review was based on the PS2 version, which has more fog and slowdown (especially in multi-player) when compared to the Xbox version, and those were his two heaviest faults of the game.
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—Lewis H. Lapham (b. 1935)
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