Film Work
| Year | Title | Role | Notes |
| 2011 | Popular Dysfunctions | Comandante Chitt | pre-production |
| 2011 | The Gauntlet | Jin-Soo | post-production |
| 2010 | Floating Lives | Vo | |
| 2010 | De Mai Tinh | Dung | |
| 2009 | The Legend Is Alive | ||
| 2007 | The Rebel | Sy | |
| 2007 | Saigon Eclipse | Kim | |
| 2007 | Finishing the Game: The Search for a New Bruce Lee | Troy Poon | |
| 2005 | Little Fish | Jonny | |
| 2003 | The Break | ||
| 1998 | Hundred Percent | Isaac | |
| 1995 | The Doom Generation | Quickiemart Clerk | |
| 1995 | Virtuosity | Suburban Reporter | |
| 1994 | Vanishing Son IV | Hung | |
| 1994 | Vanishing Son II | Hung | |
| 1994 | 3 Ninjas Kick Back | Glam | |
| 1993 | Heaven & Earth | Sau | |
| 1993 | No Escape, No Return | Tommy Cuff | |
| 1992 | Rapid Fire | Paul Yang | |
| 1991 | Earth Angel | Peter | |
| 1985 | Sunset Strip | Chinese Youth |
Read more about this topic: Dustin Nguyen
Famous quotes containing the words film and/or work:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“The poet needs a ground in popular tradition on which he may work, and which, again, may restrain his art within the due temperance. It holds him to the people, supplies a foundation for his edifice; and, in furnishing so much work done to his hand, leaves him at leisure, and in full strength for the audacities of his imagination.”
—Ralph Waldo Emerson (1803–1882)