Duque de Caxias - Culture

Culture

The city with the Centro Cultural Oscar Niemeyer, the square of the Center Pacifier in the neighborhood, with the Public Library Leonel de Moura Brizola and Teatro Municipal Raul Cortez. The library contains about 10 thousand works and theater is composed of 440 seats.

The Municipality of Duque de Caxias houses the Historical Institute and Theater Procópio Ferreira. On December 11, 1980, through Resolution 494, the Office received the name of Alderman Thomé Siqueira Barreto and has in its collection, about 6 thousand photographic reproductions, a thousand documents, 680 books and periodicals, 1,700 newspapers and 85 tables. Among the pieces of the collection are a candlestick and a picture of St. Anthony, remnants of the former Church of St. John Baptist Traiaponga (today Santa Terezinha in Laifaiete Park), photos of the arrival of piped water in Duque de Caxias, the construction of the National Plant of engines (FNM), the visit of Juscelino Kubitschek and the reduction of the Village Code of Postura Star, 1846.

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Famous quotes containing the word culture:

    I wish to speak a word for Nature, for absolute freedom and wildness, as contrasted with a freedom and culture merely civil,—to regard man as an inhabitant, or a part and parcel of Nature, rather than as a member of society. I wish to make an extreme statement, if so I may make an emphatic one, for there are enough champions of civilization: the minister and the school committee and every one of you will take care of that.
    Henry David David (1817–1862)

    The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.
    Friedrich Nietzsche (1844–1900)

    Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.
    Herbert J. Gans (b. 1927)