Dungeons & Dragons in Popular Culture - Music

Music

The cultural influence of Dungeons & Dragons upon successful musical artists can be inferred by the references to the game in their recorded lyrics.

  • The Weezer song "In The Garage" starts with the lines, "I've got the Dungeon Master's Guide. I've got a 12-sided die." This is on the Weezer (1994 album), also known as the Blue Album.
  • The lyrics of "Weird Al" Yankovic's satirical song "White & Nerdy" includes the line, "Got skills, I'm a Champion of D&D".
  • Flashlight Brown's song "Ready to Roll" is a veiled reference to a group playing D&D.
  • Seminal stoner rock band Kyuss was formed in 1989 under the name "Sons of Kyuss", in reference to the deity Kyuss.
  • The lyrics of Team Unicorn's satirical song "Geek and Gamer Girls Song" includes a brief reference to D&D, sandwiched between a mention of Frank Herbert's Dune series and a mention of the character Rand al'Thor, the main protagonist of Robert Jordan's Wheel of Time series.
  • Owen Pallett's album He Poos Clouds is roughly based on the concept of the eight schools of magic from Dungeons & Dragons.
  • Stephen Lynch has a comedic song titled "D&D" on his album Superhero.
  • Marcy Playground Wrote a song called "Cloak of Elvenkind" about a magic item of the same name.

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Famous quotes containing the word music:

    And this shall be for music when no one else is near,
    The fine song for singing, the rare song to hear!
    That only I remember, that only you admire,
    Of the broad road that stretches and the roadside fire.
    Robert Louis Stevenson (1850–1894)

    The basic difference between classical music and jazz is that in the former the music is always greater than its performance—Beethoven’s Violin Concerto, for instance, is always greater than its performance—whereas the way jazz is performed is always more important than what is being performed.
    André Previn (b. 1929)

    Westminster Abbey is nature crystallized into a conventional form by man, with his sorrows, his joys, his failures, and his seeking for the Great Spirit. It is a frozen requiem, with a nation’s prayer ever in dumb music ascending.
    M. E. W. Sherwood (1826–1903)